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Reparations

Reparations for slavery is the idea that some form of compensatory payment needs to be made to the descendants of Africans who had been enslaved as part of the Atlantic Slave Trade. The most notable demands for reparations have been made in the United Kingdom and in the United States, where slavery was the most pervasive. Caribbean and African states from which slaves were taken have also made reparation demands.

Cong. John Conyers of Detroit, honorable host of the CBC’s Reparations Braintrust and author of HR40 welcomes members of the NAARC and Chairman of the CARICOM Reparations Commission Prof. Sir Hilary Beckles.

NAARC Rolls Out Preliminary 10 Point Reparations Plan

By NAARC News, Reparations

The National African American Reparations Commission (NAARC) Rolls Out a Reparations Plan at the 2015 Congressional Black Caucus Conference. Preamble: No amount of material resources or monetary compensation can ever be sufficient restitution for the spiritual, mental, cultural and physical damages inflicted on Africans by centuries of the MAAFA, the holocaust of enslavement and the institution of chattel slavery…

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Does the Holocaust Discount Jewish White Privilege?

By Commentaries/Opinions, Reparations

The top three most popular articles right now on the online Jewish magazine Tablet all deal, in one way or another, with the question of Jews and privilege. The most interesting of the three, as well as the most viral, is Taffy Brodesser-Akner’s personal essay, “I Probably Won’t Share This Essay on Twitter: Some thoughts on being Jewish in contemporary polite society,” which opens with recent tweet of hers:

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The Debt: What America Owes to Blacks by Randall Robinson

By Commentaries/Opinions, Reparations

I looked straight up and immediately saw the callous irony, wondering if the slaves who had helped to erect the structure might have bristled at it as quickly as I. The monumental fresco covering 4,664 square feet had been painted by Constantino Brumidi in 1864, just as the hideous 246-year-old American institution of slavery was drawing to a close. According to the United States Capitol Historical Society, Brumidi’s Apotheosis of George Washington had been painted in the eye of the Rotunda’s dome to glorify “the character of George Washington and the principles upon which the United States was founded.”

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