The actor reflected the ownership of self that white America still has a hard time embracing, says film critic Elvis Mitchell By Elvis Mitchell, The Guardian — For African-Americans, always…
By Marlene Daut, University of Virginia — Marvel’s blockbuster “Black Panther,” which recently became the first superhero drama to be nominated for a Best Picture Academy Award, takes place in the…
By Amy Ongiri, Los Angeles Review of Books — Just out of sheer curiosity (I might regret this but): Why are people making comparisons between the Black Panther Party and…
By Lucy Odigie-Turley — How much do I know about Wakanda? Not a lot, but I’ll bet they have really good sex. When I decided to write about my reaction to Marvel’s Black Panther and the nation of Wakanda from my perspective as a first-generation Nigerian immigrant, sex wasn’t the first thing to come to mind. But the more I saw of this hidden nation — free of the historical scars of colonialism…
The organizers of the rolezinho preto, the Black Collective (Coletivo Preto) and the Grupo Emú, chose the whitest and most elitist spaces in one of Rio’s toniest neighborhoods to stage…
Because this film is not just about poverty and it’s not just about race: it’s about colonialism. By Aviva Chomsky — Of course a Marvel Comics, Hollywood, high-budget capitalist product…
The revolutionary ideals of Black Panther’s profound and complex villain have been twisted into a desire for hegemony. Black Panther is a love letter to people of African descent all over the world. Its actors, its costume design, its music, and countless other facets of the film are drawn from all over the continent and its diaspora, in a science-fiction celebration of the imaginary country of Wakanda, a high-tech utopia that is a fictive manifestation of African potential unfettered by slavery and colonialism.
By Andrew Stewart — Note: At the outset I would like to acknowledge the profound debt this essay owes the work of Dr. Jared Ball, Dr. Todd Burroughs, and the…