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Movie Review Archives - Institute of the Black World 21st Century

Idina Menzel, left, and Kristen Bell at the premiere of “Frozen II” in Los Angeles.

Frozen II isn’t just a cartoon. It’s a brilliant critique of imperialism

By Commentaries/Opinions

We must atone for the sins of imperialism By Priya Satia, Washington Post — Every Thanksgiving, Americans trot out the self-congratulatory myth that colonization was a harmonious, bloodless affair — that native peoples practically gifted their lands to America and then served up a feast. We forget the aggressive colonial practices (including kidnapping and enslavement) that actually surrounded the holiday’s roots. This year, however, Thanksgiving also brought us Disney’s “Frozen II,” a…

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Harriet Tubman

Uplifting the Liberator, Harriet Tubman: Unmasking the Imposter, Harriet of Hollywood

By Dr. Maulana Karenga

By Dr. Maulana Karenga — Part 1. The conversations and controversy surrounding the movie “Harriet” of Hollywood seems, at first sight, to be simply about Harriet Tubman, the liberator, the Harriet Tubman of history. But in a larger sense, it is about Black people, about: how we see ourselves; how we see our heroes and heroines; how we understand and honor our history, especially the history of the Holocaust of…

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Commentary, Articles and Essays by Dr. Maulana Karenga

Focusing on Freedom with Harriet Tubman: Enduring Advice on Relentless Resistance

By Dr. Maulana Karenga

By Dr. Maulana Karenga — This is a reminder, prelude and promise of a coming review on the movie “Harriet”. This is in joyful and grateful homage to our illustrious foremother, Harriet Tubman, the liberator. We offer sacred words and water to this leader and liberator, this all-seasons soldier, abolitionist, freedom fighter, strategist, teacher, nurse, advocate of human, civil and women’s rights, and this family woman: daughter of her parents…

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Kasi Lemmons’s “Harriet” - Harriet Tubman Movie.

The Stunning Achievement of Kasi Lemmons’s “Harriet”

By Commentaries/Opinions

By Richard Brody, The New Yorker — A common failure of movies, especially historical ones, is that they don’t open their drama to intellectual context or to the inner lives of their characters. Kasi Lemmons’s “Harriet” is a bold and accomplished exception: this bio-pic of Harriet Tubman develops her actions as a freer of enslaved people with ardent and detailed attention to the prophetic visions that impel her, and the…

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