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When Franco Rosso’s “Babylon” premièred at Cannes, in 1980, it was hailed for its soulful depictions of a community largely invisible in British media.Photograph Courtesy Kino Lorber Repertory / Seventy-Seven

What “Babylon” Captured About Racism and Reggae

By Editors' Choice

By Hua Hsu, The New Yorker — In June, 1948, the H.M.T. Empire Windrush docked in the Port of Tilbury, near London. Among its passengers were approximately eight hundred West Indian workers, mostly from Jamaica, who had come in response to England’s postwar labor shortage. Some planned to earn money and return home; others wondered what it would be like to stay. There was a lot of work to be…

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Nov 26th Edition of Vantage Point Radio: Slave Conditions In Sugar Land, A Social Contract for Working People

By Vantage Point Radio, Video/Audio

Topics: Slave Conditions In Sugar Land: The Modern Convict Lease System • A New Social Contract for Jobs and Working People • Preview of New York African Diaspora International Film Festival. Guests: Cathy Albisa (Exec.Dir., National Economic and Social Justice Initiative, New York, NY), Atty. Darryl Scott (Social Justice Advocate, Houston, TX) and Maurice Carney (Exec. Dir., Friends of the Congo, Washington, D.C.)

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Black Panther Cast

Marvel’s “Black Panther” and Uncolonized African Sexuality

By Commentaries/Opinions

By Lucy Odigie-Turley — How much do I know about Wakanda? Not a lot, but I’ll bet they have really good sex. When I decided to write about my reaction to Marvel’s Black Panther and the nation of Wakanda from my perspective as a first-generation Nigerian immigrant, sex wasn’t the first thing to come to mind. But the more I saw of this hidden nation — free of the historical scars of colonialism…

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