The director Roger Ross Williams on the Harlem ‘temple’ that has hosted legendary performers from James Brown to Lauryn Hill. By André Wheeler, The Guardian — The Apollo Theater is a living piece of black history. Located in the heart of Harlem on West 125th Street, the theater has operated as a refuge for black audiences and performers from its opening in 1934. Artists from James Brown and Aretha Franklin to Stevie Wonder and Lauryn Hill have graced…
In the Emmy-nominated virtual reality project, viewers are given an immersive historical experience on the depressingly topical dangers of being black in America. By Dream McClinton, The Guardian — The theatre has luxurious red velvet upholstered seats, grand ceilings and gilded trimmings. The rows of chairs stretch back into the ostensible blackness, with light beaming from the projector room. Ahead, archival footage of stylish black travelers pack the screen as…
The uproar over Disney casting Halle Bailey as the Little Mermaid overlooks generations of Caribbean and African folklore. By Tracey Baptiste, The New York Times — As a young child growing up in Trinidad and Tobago within sight and walking distance of the Caribbean Sea, I was gripped by the intrigue of mermaids. I was introduced to one version of a mermaid by Hans Christian Andersen, whose tale of a magical girl…
This 2009 documentary was produced by the Washington, DC Office of Cable Television to commemorate DC Emancipation Day. The film is a stirring account of African-American history from the colonial…
This moving and profound portrait serves as a fitting biographical tribute as well as a piercing, often painful recount of African American history from slavery and the Civil War to the Jim Crow era, the Civil Rights movement and beyond. By Syreeta McFadden, The Atlantic — One of my white teachers in high school insisted that Toni Morrison would be confusing to me as a reader. So I approached the…
By Earl Ofari Hutchinson — The Central Park 5 has been the textbook poster case for the one thing that has consistently and horribly racially disfigured America’s criminal justice system….
By Julianne Malveaux — Many know them as the Central Park Five, but filmmaker Ava DuVernay forces to us see the five wrongfully convicted men as individuals. Their names are…
By Hua Hsu, The New Yorker — In June, 1948, the H.M.T. Empire Windrush docked in the Port of Tilbury, near London. Among its passengers were approximately eight hundred West Indian workers, mostly from Jamaica, who had come in response to England’s postwar labor shortage. Some planned to earn money and return home; others wondered what it would be like to stay. There was a lot of work to be…
RECORDED 2/04/19 On this WBAI Winter Fund Drive Edition of Vantage Point Radio, the Professor Dr. Ron Daniels talks about the film “Roadmap to Apartheid” (Narrated by Alice Walker) and…
Topics: Slave Conditions In Sugar Land: The Modern Convict Lease System • A New Social Contract for Jobs and Working People • Preview of New York African Diaspora International Film Festival. Guests: Cathy Albisa (Exec.Dir., National Economic and Social Justice Initiative, New York, NY), Atty. Darryl Scott (Social Justice Advocate, Houston, TX) and Maurice Carney (Exec. Dir., Friends of the Congo, Washington, D.C.)
What Danny Glover wants that “White voice” to tell us and how we’ve gotten the American Dream so wrong. Zenobia Jeffries, YES! — Boots Riley’s debut film, Sorry to Bother You, offers a…
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